The Dial, vol. 5, 1897. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv5-all/
THE DIAL FOR MDCCCXCVII
Full-page Illustrations “THE INFANCY OF BACCHUS” AN ORI-
GINAL LITHOGRAPH DRAWN ON THE STONE BY
C. H. SHANNON
“DECEMBER” AN ORIGINAL WOODCUT DESIGNED
AND CUT UPON THE WOOD BY
C. H. SHANNON
“THE DRESSING ROOM” FROM THE “STONE BATH
SERIES” A PAPER LITHOGRAPH BY
C. H. SHANNON
“PAN ISLAND” AN ORIGINAL WOODCUT DESIGNED
AND CUT UPON THE WOOD BY
T. STURGE MOORE
“CENTAUR WITH A BOUGH” AND “THE HARE MAKING
CIRCLES IN HER MIRTH” BEING TWO ORIGINAL
WOODCUTS DRAWN AND CUT UPON THE WOOD BY
T. STURGE MOORE
“THE VISION OF KING JAMES THE FIRST OF SCOT-
LAND” ❧ AFTER A PEN DESIGN BY
C. RICKETTS
“PAN HAILING PSYCHE ACROSS THE RIVER” ❧
AFTER A PEN DESIGN BY
C. RICKETTS
“RUTH, ORPAH, AND NAOMI” AND “RUTH THE
GLEANER” BEING TWO ORIGINAL WOODCUTS DRAWN
AND CUT UPON THE WOOD BY
LUCIAN PIZZARRO.
CONTENTS
“LA VIE ELARGIE” BY
EMILE VERHAEREN
“OPEN THE DOOR, POSY” BY
LAURENCE HOUSMAN
“THE PHANTOM SEA-BIRD” BY
T. STURGE MOORE
“THE FATE OF THE CROSS-WAYS” BY
MICHAEL FIELD
“ST. IVES, CORNWALL” BY
JOHN GRAY
“THE CENTAUR” BY MAURICE DE GUERIN, TRANS-
LATED BY
T. STURGE MOORE
“THE ART OF OUTAMARO” BY
CHARLES STURT
THE WRAPPER AND INITIAL LETTERPIECES IN THE TEXT
HAVE BEEN DESIGNED AND ENGRAVED ON THE WOOD BY
CHARLES RICKETTS. THE TWO FULL PAGE PEN DESIGNS
MARKED ABOVE WITH A DEVICE HAVE BEEN REPRODUCED
BY MESSRS. HENTSCHEL AND BY THE SWAN ELECTRIC
ENGRAVING COMPANY. THE LITHOGRAPHS HAVE BEEN
PRINTED BY MR. THOMAS WAY.